Placed on the entrance wall, Yves Klein’s Anthropometry of the Blue Period from 1961. To the right of the staircase New Dawn Cathedral Column by Louise Nevelson, from 1958-1959.

Facing the staircase, a long console with a base designed by Rémi Tessier supports an optical glass top made in Japan. Behind, Monochrome (Cosmos Pink) by Anish Kapoor. Linen, bamboo and gold thread panels by Vincent and Anne Corbière are hung from the ceiling.

In the living room, the walls are covered with a straw marquetry by Yann Jallu. Above the travertine fireplace designed by Rémi Tessier, “Deux Femmes et enfant” by Pablo Picasso. On Ado Chale's bronze table (left), ceramics by Kristin McKirdy. On Eric Schmitt's bronze and onyx table (right), “Secret marble heads” by Dimitry Gerrmanj. The armchairs are by Jean Royère, and the rugs, Tai Ping.

In the large living room, around a bronze table by François-Xavier and Claude Lalanne are two armchairs by Pierre Jeanneret. On the right, Christian Liaigre’s armchair and Hermès plaid. Above the base cabinet designed by Rémi Tessier, with gypsum doors and trays covered with lacquer by Pierre Bonne lle, a Willem de Kooning artwork.

Just above the grass, the iconic sheep by François-Xavier and Claude Lalanne.

The living room is filled with art from artists such as Damien Hirst and Alexander Calder. The room also a Claude Lalanne table, a custom sofa and armchairs by Peter Marino himself along with a cocktail table by Juan & Paloma Garrido. Can you spot the Fontana on the far right image?

In the guest bathroom, the floors, wall, and vanity are made of Onyx Arco Iris. The sink, fittings, and mirrored medicine cabinet with lighting are custom-designed by Marino.

The living room also features a metal sculpture by Yonel Lebovici (left) and artworks by Richard Prince. Marino also added in his own custom game table, club chairs, bronze boxes, sofa, and carpet.